Who In Review: The Eighth Doctor
Selecting
a favourite 8th Doctor story is always going to be difficult simply
because there is both an unfortunate lack of 8th Doctor stories and,
at the same time, more 8th Doctor stories than any other!
On TV, he
only officially appeared twice as the lead - first in the 1996 TV
Movie and again in the 50th Anniversary short The Night Of The
Doctor. Out of those, Night Of The Doctor is by far the better,
giving a taste of his character in under ten minutes and leaving you
wanting more. The 1996 TV Movie is a great runaround and far from
terrible, but has as many things which make you wince as make you
love what you're watching. The stunning TARDIS interior, the
brilliant direction of Sylv's death scene (including the frankly
horrific sudden last gasp after you think he's gone), the 8th Doctor
and Grace working out who he is outside her home, McGann's breathless
performance as they try to avert the end of the world in the TARDIS
and Grace's possession, release and death are all fantastic but sit
alongside squeaky Dalek voices, practically any scene featuring
Professor Wagg, Eric Roberts camping it up ("I always
drezzzzzzzzzzzzzzzzz for the occasion.") and, when it boils down
to it, a fairly daft plot. It comes across as a cross between The
X-Files and ER but never really seems to find its feet as it's often
too preoccupied in being a continuation of the original series whilst
making it accessible to the American audience (as if they hadn't been
exposed to the series already). Whilst it's a great attempt to reboot
the show, it just doesn't quite make it. However, its simple
existence is what makes The Night Of The Doctor so much better, as we
already have the set-up for the 8th Doctor and seeing him casually
leaning against the door jamb of a crashing spaceship saying "I'm
a doctor, but probably not the one you were expecting" seems as
natural as anything before or since. In fact, for me, The Night Of
The Doctor is far and away better than its counterpart, The Day Of
The Doctor, which, for a celebration of the series lacked the
excitement, drama and immediacy of McGann's short (or the fun of both
The Three... and The Five Doctors).
Of
course, outside the TV series there's an abundance of stories on
Audio, in Comic Strips and in Books. I'd have to check, but for the
'George Lazenby of Doctor Who' McGann's Doctor seems to have more
adventures out there than any of his counterparts. His Big Finish
adventures with Charley (and later C'rizz) alone exceed all but the
1st and 4th Doctors televised adventures in number and, with his two
TV adventures, equal the First! And thanks to The Night Of The Doctor
the majority of these audio adventures would seem to be cannon. As
with every Doctor, McGann's stories vary in quality, but feature some
absolute classics. His Big Finish debut, Storm Warning, reintroduces
him spectacularly through the eyes of new companion Charlotte Pollard
in a Pseudo-Historical story about the ill-fated R101 and some
creatures called Vortisaurs (which have some remarkable similarities
to the Reapers from Father's Day). Following story Sword Of Orion
pits him against the Cybermen in a very stark tale with clear
influences from Alien and Blade Runner. Elsewhere there is the
Yuletide atmosphere of The Chimes Of Midnight, the weirdness of The
Natural History Of Fear and even a purely historical adventure with
Other Lives. For me, however, the best of McGann's audio adventures
is Embrace The Darkness which features a truly gruesome cliffhanger
at the end of episode one and really plays the claustrophobic, sci fi
setting well with doses of mystery and horror thrown in for good
measure. Following on from the Charley/C'rizz series are the episodes
featuring Lucie Miller which were transmitted on the radio station
BBC 7. These took on a more modern quality akin to the 21st Century
series, as opposed to the format of the earlier 8th Doctor audios
which mirrored the Classic series. Like 'Nu Who', these episodes see
the return of various old monsters whilst introducing new threats and
a variety of modern day companions and feature story arcs which span
several series. Having concluded the Lucie Miller arc, Big Finish
embarked on a third and fourth set of adventures more akin to
mini-series (being made up of four hour-long stories) featuring new
companions and linking in with the modern TV show. More recently, a
continuation of the Big Finish Time War series with the 8th Doctor as
the main focus has been released following the death of War Doctor
actor John Hurt.
Meanwhile,
spanning the 'Wilderness Years' between the TV Movie and Rose, the
BBC released a series of novels documenting the exploits of the 8th
Doctor and his various companions. To be honest, I've only read a few
of these and of those I have only a few stand out; early novel Alien
Bodies saw the return of the Krotons and the introduction of the
series-long arc concerning Faction Paradox, a Gallifreyan Voodoo
cult; Autumn Mist is set in World War II and features a race of
extra-dimensional elves; The Fall Of Yquatine centres around the
destruction of the titular planet (but is otherwise unremarkable);
and The Ancestor Cell and The Gallifrey Chronicles basically serve to
conclude the major story arcs which, unless you've followed every
novel in the series, serve to confuse more than entertain. The main
novel to stand out for me, however, was Father Time, a tale which
concluded a short series which saw the Doctor stranded alone and
amnesiac on Earth throughout the 20th Century. This, set in the 1980s
and introducing the Doctor's adopted daughter Miranda, was chiefly
entertaining due to the cultural references and a plot which saw the
Doctor not only saving the world because that's what he does, but
saving the world because of his daughter. It was a new slant to the
character which was sadly short lived and I'd like to see appear in
the TV series.
Alongside
the novels ran a series of comic strips in the Radio Times and Doctor
Who Magazine. These, again, had various long story arcs interspersed
with short set pieces and featured, amongst other things, a fake
regeneration, a sequel to The Evil Of The Daleks and a stunning
redesign for the Cybermen. Added to that were a series of companions
of dubious morality and the charmingly geeky Izzy Sinclair.
The
8th Doctor may have had the least amount of screen time of any since
1963, but he is by far the most thoroughly explored. Paul McGann
brought so much to the character in the 90 minutes which constituted
the TV Movie and inspired dozens of authors to flesh him out in the
various media which replaced the TV series over the turn of the
century. He's one of my favourite Doctors and one I'd love to see
return to the series again. If that doesn't ever happen, there are
still plenty of his adventures out there to hunt down and explore.
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